Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

Sunday, December 9, 2007

Closing with Buchman

Lynn R. reads of a man who confessed to trying to kill Osama Bin-Laden. The Taliban caught him. The U.S. found him and promised to release him. Then they sent him to Guantánamo. He was there for some time, then released two years ago. His poem is very, very short.

Now the Redgraves stand to bow. The reading is over? Wow, that was fast. Good - well-produced - but fast.

The applause goes on and on, not abating for a full minute and a half.

Allan Buchman takes the stage again and announces that Culture Project is in the process of producing an event for the United Nations, for Human Rights Day (I think?). December 10, 2008 - save the date.

And... we're done. Gotta get that book.

Guantánamo Poetry, read by the Redgraves

Corin Redgrave reads "They Fight For Peace," by a poet who's name I can't type quickly or accurately enough.

Very short, abstract, powerful poem.

Lynn Redgrave takes the stage and reads a short history of the poet's life. The poet, Ameer, a Saudi, was detained because he worked in Afghanistan for a charity. He is a leader at Gitmo. Just after a Grievance Commission was formed, the government disbanded it, put Ameer in solitary confinement, and is shipping him off to Saudi Arabia, where he will be held in a secret prison and almost certainly killed.

***

Abdul Aziz, last name withheld, from Riyadh, S.A., wrote "O Prison Darkness."

"We love the darkness
For after the dark hours of the night, pride will rise.
...
We know, God has a design.
...
The morning is about to break forth."

He also wrote, "I Shall Not Complain," an exhortation to Allah (always translated God, I suppose to make it more marketable?) to grant him patience; he will complain to none but God.

***

Jemma Redgrave speaks of a poet named Dossari, who has tried to kill himself twelve times, sometimes via multiple methods at once. He appears in Inside the Wire.

Jemma R. reads "Death Poem," a very strong work asking everyone to watch the poet die ("at the hands of the protectors of peace"). (See an earlier post for full text.)

***

Lynn R. speaks of Dost (sp? all of these sp?), an author of many, many books, a known poet and scholar. He was released, wrote a book detailing his detention at Gitmo, and was then re-arrested by Pakistani officials. He as not been heard from since.

A poem asking why he is deprived of the love of his father. "I," the poet syas, "continue to beat with life... I know a greater freedom."

Cup Poem #1

What kind of spring is this
where there are no flowers
and the air is filled with a miserable smell?

"They Cannot Help"

"Consider what might compel a man to kill himself, or another?"

***

Jemma R. reads of a young man who was hung by his wrists and beaten by the Pakistanis. He was overjoyed to be handed to the U.S. He was stripped and beaten by the U.S., too. He was one of the first round of "enemy combatants."

"This Is My Life," I think is the name of the first poem. It details what happened to him: He came to Pakistan (from Chad) to pursue an education (to learn about information technology and English). He was arrested leaving a mosque; he was not allowed to use the bathroom during a sixteen-hour trip to prison. "We saw such insults from them." The prisoners were beaten and insulted, kept drunk and rich (by the Americans?). "They carried us afterwards to Cuba, because it is an afflicted isle. Their war is against Islam, and justice."

Talk about bad P.R. I mean, if Bush's regime beats up every captured Muslim, of course the other non-captured Muslims are going to hate Bush (and thus you and me - he's our leader).

***

Corin R. loudly reads of a man "Humiliated in the Shackles," writing a letter in his head to his son as he listens to the birds outside his cell, alive, free. He is offered money and land and freedom if he betrays "other" al-Qaeda members. "America - you ride on the backs of orphans and terrorize them daily," Corin/the poet yell. He directs his grievances to Allah and asks his son to be strong, though he himself is humiliated. "How can I write? My soul is like a roiling sea. I am captive, but the crimes are my captors'."

(One feels these poems are going to take on a perhaps unwelcome degree of similarity as they concatenate...)

***

Vanessa R. reads of a man who lost both his legs due to American bombings, not even at the same time. He has been forced to walk at Gitmo on prosthetic limbs held together with duct-tape.

"To My Father"

"Two years have passed in faraway prisons
Two years my eyes untouched by cold" [or kohl?]

Forced confession, defense of honor that needs no apology. Deal-making - "if all Arabs were to sell their faith, I would not sell mine."

***

Corin R. reads of Hassan, a prolific poet taken in Pakistan while studying at a university. He remains at Gitmo, though the U.S. government does not allege that he has participated in any violence whatsoever.

"The Truth"

Inscribe your letters in laurel trees
from the cave all the way to the city of the Chosen
...
Are these lights that I see real?

The Devil leads them (Americans) around in the darkness; they have exchanged piety for cheap commodity. Will you get up and question events?

Illusions soar all around...

(The blog itself necessarily grows more poetic as the scraps well up from Corin's majestic voice - I recommend readers watch the performances on Blip [thanks to the Kunstlers and crew] tomorrow.

These poems are somewhat insular and melodramatic, moreso than other Arabic poems I've read. They are almost all addressed to Allah and speak in vague terms of justice and injustice. Some of this rally-speak is very powerful; the shorter poems, in particular, stick to specifics and turn very clear arguments against the logic of torture - with chilling, image-driven specifics. Their sadness is overwhelming and infectious.)

***

Lynn R. reads about Kabir, a poet detained primarily because he was caught wearing a Casio watch, a brand favored by terrorists (according to the U.S. government?). His poem, "Is It True?," asks if the grass still grows, if he will ever leave prison and see his wife and children again.

***

Jemma R. reads of a Yemeni, Mohammed, a religious teacher. He saw a Qur'an being thrown into a barrel of human waste in prison. "I Am Sorry, My Brother."

***

Corin R. reads of Akhmed, a man who studied at a college in the U.S. and went home after a bad break-up. He was detained, help for years in Guantánamo, then released, November, 2005.

"My Heart Was Wounded By The Strangeness"

Do not blame the poet who comes to your land inspired, arranging rhymes
...
O brother... If you blame yourself, my poem will appease you
...
I will offer advice from pure cordiality.

A quiet poem of fatalistic but not unhappy acceptance, an exhortation to be generous, to forgive. The poem's great power comes from its dwelling on separation (from the brother), not on the daily horrors of imprisonment (though that route works in so many other of these poems).

***

Vanessa R. reads of Ibrahim, a religious scholar and candidate for judgeship who was captured and sold to the United States. When asked why he should be released, he replid: "In the world of international courts, the person is innocent until proven guilty. Why, here, is the person guilty until proven innocent?" His poem asks a lot about Cuba, how Cuba could help the U.S. "What have you gained?" Poetry...

(Here I break to post...)

Redgraves and Gitmo

(According to our website:)

Sunday, December 9, 7:30 p.m. - Vanessa, Lynn, Corin, and Jemma Redgrave make a very special appearance to read Poems from Guantánamo: The Detainees Speak, a collection of poems written by detainees held in the US detention center at Guantánamo Bay, Cuba.

Marc Falkoff, attorney and editor of Poems from Guantánamo, will also be with us.

Presented in partnership with the Center for Constitutional Rights.

***

Packed house (again). Patrons standing in the aisle. Dixie Chicks and Pink on the P.A. Flowers on stage. Little less court room-y, more home-y than previous Impeachment events. No sign yet of Vanessa Redgrave, Lynn Redgrave, or their relations.

***

From the Guantánamo: The Detainees Speak:

Death Poem

by Jumah al Dossari

Take my blood.
Take my death shroud and
The remnants of my body.
Take photographs of my corpse at the grave, lonely.

Send them to the world,
To the judges and
To the people of conscience,
Send them to the principled men and the fair-minded.

And let them bear the guilty burden before the world,
Of this innocent soul.
Let them bear the burden before their children and before history,
Of this wasted, sinless soul,
Of this soul which has suffered at the hands of the "protectors or peace."

Jumah al Dossari is a thirty-three-year old Bahraini who has been held at Guantanamo Bay for more than five years. He has been in solitary confinement since the end of 2003 and, according to the U.S. military, has tried to kill himself twelve times while in custody.

Monday, April 16, 2007

LAWRENCE WRIGHT WINS PULITZER

Our primary homeslice Lawrence Wright's The Looming Tower just won the Pulitzer Prize for General Nonfiction.

We congratulate him with all our hearts.

The man is a double paragon of journalistic thoroughness and good prose style. He is also one of the easiest-to-work-with people you could ever meet. And a snappy dresser.

(For those of you who missed Wright's My Trip To Al-Qaeda, stay tuned for a very short remounting of the show some time in June.)

Thursday, April 12, 2007

So it goes....

Kurt Vonnegut died today. You can read the first of what I'm sure will be an avalanche of obituaries and columns and retrospectives on his brilliant and often misunderstood work - here.

A brief passage from "Slaughterhouse Five" :

“You know — we’ve had to imagine the war here, and we have imagined that it was being fought by aging men like ourselves.... We had forgotten that wars were fought by babies. When I saw those freshly shaved faces, it was a shock. My God, my God — I said to myself, ‘It’s the Children’s Crusade.’ ”

Thursday, April 5, 2007

Tom Paine/Obama In 08

Snippets:

1. Iran sends home their 15 pet sailing-Brits, one plus a hijab. Here's a great fish-eyed picture of the vicious Anglo-trespassers in their second-hand Persian suits. (I want one!)



From today's NYTimes:

“Throughout, we have taken a measured approach, firm but calm, not negotiating but not confronting either,” Mr. Blair said. Britain bore no ill will toward the Iranian people, he told reporters, and respected Iran’s “proud and dignified history.”

So... Britain wouldn't negotiate or confront? Meaning the only option left to explore was... to ignore the situation and hope cooler heads prevailed in Tehran. Gotcha. Isn't that basically "chance-based engagement" (a term I just made up that I will continue to apply to this hope-it-goes-away brand of diplomacy, such as Bush's/America's re: Hamas, DPRNK, Castro, &c.).

I don't know which was lamer, the Brit's faith/head-in-sand-based conflict resolution or the Iranian's lame video/pictorial propaganda about how "sorry" the sailors were (really, for real, guys), which featured a much be-Sharpied map of the Iran/Iraq aqua-divide and a dour-looking Revolutionary Guardsman pointing to the obviously offensive Brit-boat coordinate.

(In other news, Russia plans to build a GPS system to rival our own... Competition is a good thing.)

2. Again we favour Israel bearing arms rather than brown people bearing them. Also from today's Times:

WASHINGTON, April 4 — A major arms-sale package that the Bush administration is planning to offer Saudi Arabia and other Persian Gulf allies to deter Iran has been delayed because of objections from Israel, which says that the advanced weaponry would erode its military advantage over its regional rivals, according to senior United States officials.

This is the other backbone of American policy: Fucking things up. To prevent dictatorships, Communism, religious radicalism, and anti-selling-us-oil governments in general, we prop up crazy dictators. To prevent war, we sell arms to side X, which makes side Y want to go to war, meaning we have to give more arms to side Z to create an "equilibrium," though it's easy to misinterpret how to do that, and with whom...

3. John Edwards is "roaring" with Christ's power.

Actually, I'm not going to make fun of him, even though I'm all about some Age Of Reason non-theistic (i.e., non-carrot-&-stick-based) morality. Check out this:

I think he would be happy with the fact that I have focused on people who live in poverty here and people without healthcare. And the suffering of others in other parts of the world, like some of the work that I've done on humanitarian issues in Africa, for example, and going to the slums outside of Delhi and India.

Focusing on problems in a very personal way that exist, and without regard to my own selfish ambitions, talking about things that may not seem so politically powerful, but are important to me, and I think important to God.

That sounds about right. Except that talking about morality should be a part of politics, as it once was (see below; buy the book).

Possibly even better is:

Do you think that America is a Christian nation?

...I never thought of it quite that way. There's a lot of America that's Christian. I would not describe us, though, on the whole, as a Christian nation. I guess the word "Christian" is what bothers me, even though I'm a Christian.

Correct/bravo. Can you imagine Pres. John Edwards (and I am an electorally-monogamous Obama man mydamnself) talking to Middle Eastern leaders? I can--more than I can imagine Bush, another serious Christian, doing so. Because, unlike Bush, Edwards seems to have a grasp on the idea of many faiths/one nation, or of the continually self-revising nature of history... Which leads me to:

4. Paul Collins is THE MAN, as is Tom Paine. Best recognize.

You should buy this book by the former/about the latter.
Right now.

Thursday, March 29, 2007

People Speakin...

Mos Def Reads Malcolm X: